work in progress

Progress Report in Progress by alison currie

This week Alisdair Macindoe and I have been in the studio at LWDance Hub working on ‘Progress Report’ a new work we are co-directing / choreographing. This time we are joined by the incredible Kialea-Nadine Williams, Sascha Budimski and Meg Wilson.

Image credit Sam Roberts

Image credit Sam Roberts

It has been a lovely way to end the year! We have had a chance to touch on a few ideas which will be expanded further by the next work in progress showing at Vitalstatistix in April 2019.

Creatures with The Human Arts Movement by alison currie

The Human Arts Movement is an Adelaide-based contemporary dance training and performance collective. I have been working with them throughout the month of September with the following dancers as seen in the image below: Cazna Brass, Rita Bush, Cayleigh Davies, Petra Szabo, Georgia Timperon, Peter Vayne, Kendal Winton, Greta Wyatt.  

The Human Arts Movement - 'Creatures' rehearsal 

The Human Arts Movement - 'Creatures' rehearsal 

Through collaborative task based making, improvisation and taught choreography we have created a short work which will be shown at a work in progress showing on Monday 25th September at Restless Dance Theatre. 

It is rare to work with eight dancers as an independent choreographer in Australia and so all of the ideas I had wanted to explore with a larger group have come up in this process. We began working with patterns and rhythms and with my interest in gradation and the gradual change from one movement to the next.  

The Human Arts Movement - 'Creatures' rehearsal 

The Human Arts Movement - 'Creatures' rehearsal 

The working title 'Creatures' came in part from attempting to fit in the smallest floor space with the dancers and various creature like images which emerged from that point; cell division, evolution, flocks and packs etc. 

An approach to the composition of particular moments in 'Creatures' was taken from a work 'THE MAIN EVENT' that Solon Ulbrich and I co-directed at Adelaide College of the Arts in 2009. 

This work is supported by The Helpmann Academy and Restless Dance Theatre