Alisdair Macindoe

"Concrete Impermanence is a Slow Burn" by alison currie

Lovely review by Paul Ransom from Dance Informa of our season at Dancehouse during Dance Massive

“What Currie has done with Concrete Impermanence is to channel the inexorable motion of things into the bodies of humans and the fibres of cardboard. All atoms. All in constant flux. All in the process of unbecoming. Yet, in the end, just when you think you’re in a world of quantum gravity, with curved space and all the rest of it, you are returned to the body. To the visceral experience of impermanence.

It’s here that Alisdair Macindoe’s exquisitely textured soundscape makes its mark, switching us from often icy intellectual plains to an almost heartbreaking fragility. Suddenly, it’s not a universe unravelling; it’s love, it’s everything we hold.”

https://dancemagazine.com.au/2019/03/alison-curries-concrete-impermanence-is-a-slow-burn/

Progress Report in Progress by alison currie

This week Alisdair Macindoe and I have been in the studio at LWDance Hub working on ‘Progress Report’ a new work we are co-directing / choreographing. This time we are joined by the incredible Kialea-Nadine Williams, Sascha Budimski and Meg Wilson.

Image credit Sam Roberts

Image credit Sam Roberts

It has been a lovely way to end the year! We have had a chance to touch on a few ideas which will be expanded further by the next work in progress showing at Vitalstatistix in April 2019.

Concrete Impermanence World Premiere by alison currie

A conversation with Christchurch based presenter Adam Hayward in 2012 started my thinking and concept development of Concrete Impermanence. We had our first studio development in 2014 and the past four years have involved working with a talented team of artists each of whom has added to the strength of the project.

Image credit  Sam Roberts

Image credit Sam Roberts

For the past three weeks performers Amrita Hepi, Lewis Rankin and Stephen Sheehan, sound designer Alisdair Macindoe, lighting designer Matt Adey, creative assistant Carlie Angel, producer Jason Cross and I have been in residence at Restless Dance Theatre studios completing the work ready for premiere this week! 

It has been exciting, challenging and rewarding process to complete this work after four years of thinking, writing and working on it! We look forward premiering in Adelaide on the 17th and 18th of May. Another work I Can Relate is currently screening in the Space Theatre Foyer to coincide with the premiere of Concrete Impermanence at the Adelaide Festival Centre

Image credit  Sam Roberts   dancer  Amrita Hepi  objects  molo  

Image credit Sam Roberts  dancer Amrita Hepi objects molo 

I Can Relate at Light Moves Festival Ireland by alison currie

The Light Moves 2017 festival is on 31 October - 5 November in Limerick. The program was launched the other night and some of the 24 Frames Per Second films will screen including 'I Can Relate' which I made with Rodeo - Tobin Lush and Sam Chisholm, Carlie Angel, Jason Cross, Alisdair Macindoe, Stephen Hayter , Gemma Stocks and Insite Arts for Carriageworks. Light Moves are even making a new screen for the occasion! Wish I could see it. http://www.lightmoves.ie/

I Can Relate - Image credit Rodeo 

I Can Relate - Image credit Rodeo 

Adhocracy 2017 by alison currie

Last weekend Alisdair Macindoe, Lewis Rankin and I had an amazing four day development as part of Adhocracy 2017 at Vitalstatistix. The focused atmosphere of Adhocracy (where several groups of artists from across the country come together to work, share and discuss ideas) provided a perfect space for us to experiment with the early stages of this new Idea. Alisdair Macindoe and I have collaborated across several projects over the last 10 years, yet this was our first time Co-directing a work. The working title is Solo for (Hu)man and Foam and we are certain that we would like to keep developing this work with Lewis Rankin, though we are less certain about the title.

Making a very productive mess with Lewis Rankin ^

Making a very productive mess with Lewis Rankin ^

"This new dance work (in progress) uses the materiality of the waste product Styrofoam to explore the fragility of the human – in performance and in the biosphere. At its most frivolous Solo for (Hu)man and Foam is a playful dance experiment; at its deepest it reflects the possibilities and limits to individual change in the face of environmental disaster." - This was the marketing text for our project at Adhocracy and remains quite accurate. -http://vitalstatistix.com.au/residencies/solo-for-human-and-foam/

Air and foam, black and white with Alisdair Macindoe ^

Air and foam, black and white with Alisdair Macindoe ^