Quotes:

“It is a fascinating piece in concept and realisation.” Sykes, J 2011, Sydney Morning Herald, 25th November 2011 (regarding Solo)

"When performance art is good it hums and vibrates with energy. It reaches out to the audience and brings them in like 42a.." Kelty, R 2008, Artlink Volume 28 No 3 (regarding 42a)

“Another spatial innovation is the three-dimensional, sculpted screen of I Can Relate by… Alison Currie who has created an experience so unique that it causes some viewers to do a double take.” Forrest, N 2015 Blouin Art Info (regarding I Can Relate)

Three ways to hold creates and demands a certain type of attentiveness… Appearing sometimes coolly cerebral, at others, Three ways to hold reveals a gentle sense of the absurd.” Kemp, J 2010, Realtime 99 Oct/ Nov (regarding Three ways to hold)

Restless Dance has presented consistently impressive works by young people… Bedroom Dancing is perhaps the best to date.  …Choreographer Alison Currie, ever imaginative, has done wonders in developing each scene.”  Burdon, P 2009, The Advertiser 19th June (regarding Bedroom Dancing)

"Alison Currie blends, shoves and tears down walls to bring her audience an involving experiment in art and choreography." Cotton, P 2008, City Search Adelaide (regarding 42a)

“In July young Alison Currie’s 42a, an interactive installation piece based on a shared house, was the year’s most intriguing dance theatre work.” Brissenden, A 2007, Adealaide Review (regarding 42a)

“… Bedroom Dancing was a triumphant achievement.” Brissenden, A 2009, The Adelaide Review June (regarding Bedroom Dancing)